For a play about doctors in a hospital, it should come as no surprise that by the end of It Runs in the Family, the
Category: Theatre
Review: A Midsummer Night’s Dream – An Exploration of Shakespeare through a Caribbean Lens
William Shakespeare – a name that elicits the collective eye-roll/groan combo of students and triggers flashbacks to those that managed to survive the labyrinth of
Five Plays Over Two Days at Queen’s Hall
Over the course of two days, five plays by UWI Department of Creative and Festival Arts (DCFA) playwriting students will be read for the May
Review: Carnival Carol – A Step in the Right Direction
It is the age-old dispute that any coming-of-age Trinbagonian has faced; the Church or Carnival. Can he who is baptized in Christ coexist with the
Review: Dis Little Piggy – A Clever Capitalization On An Insatiable Need for Bacchanal
As a people, Trinbagonians cannot survive prolonged periods of time without their regular hefty servings of bacchanal. RR/RS Production’s ‘Dis Little Piggy is Tired’ is
Playwrights Workshop Reads Nigerian Adaptation of Hamlet at Queen’s Hall
The April instalment of the Playwrights Workshop Trinbago (PWT) Monthly Readers Theatre Series (MRTS) will feature the cold reading of “Oga Pikin” (Hamlet in pidgin)
National Drama Association Resumes In-Person Readings in April
After transitioning to fully virtual sessions three (3) years ago as a response to the global pandemic, the National Drama Association of Trinidad and Tobago
National Drama Association to Offer New Awards in 2024
The National Drama Association of Trinidad and Tobago (NDATT) is pleased to announce the return of the Playwrights Workshop Trinbago’s (PWT) Monthly Readers Theatre Series
NDATT to hold AGM in November
The National Drama Association of T&T (NDATT) will be holding its Annual General Meeting (AGM) on Wednesday 16 November 2022 at 6:00 pm, at the
Tom, Dick and Harry Returns to the Stage
The Brothers are BACK! After sold out performances, and stellar reviews for their theatrical debut last year, Better Than We? Wey! Productions returns for an
Review: Bitter Cassava – A Classic Story that Still Holds Relevance
Easter Saturday night in Tobago (16th April, 2022) offered many tempting options for entertainment in every corner of the island. However, at 7PM there was
Review: Ladies Room – An uproarious showcase of comedy
Lauded as the return of comedy to the stage after two long years, RS/RR Productions presented the return of their rambunctious offering, Ladies’ Room, at
Review: Sandy, Lyons and Garcia Give Stand Out Performances in Riddim Nation
It’s hard to imagine a greater tabanca than Trinidad and Tobago without Carnival; in the second year of this Covid-19 pandemic, the tabanca was real.
REVIEW: Kambule – A Vibrant Performance Indeed
Kambule has long been a staple event for those hoping to hear the murmuring heart of carnival amidst the rush of big trucks, big bands
REVIEW: RIDDIM NATION – the Dragon that Couldn’t Dance
For the second year of mas-less carnival, Czar (an appendage of events brand, Caesar’s Army) could be found welcoming crowds to NAPA on carnival Monday
Destra Garcia Makes Musical Theatre Debut
CZAR launches the call: ‘Bring Yuh Riddim’ and Come. Log line: ‘Riddim Nation’ tells the tale of BROKO – the only member of his Moko
The Garden Theatre, Queen’s Hall launches with Arts in Tourism in mind
On Friday 12th November, the breezy eastern exterior of Queen’s Hall Auditorium, previously known as ‘The Courtyard’, was transformed into the setting of the launch
NPF 2021 Continues: Five New Plays to Make Virtual Premiere
Audiences are in for a treat, with five new local plays making their virtual premiere over three nights in September. These plays will be performed
Review: Mangoes from The Valley
“Perhaps, in another life, my weary soul will find place to rest”. These are the only words spoken in Mangoes From The Valley – voiced
Bitter as it is Beautiful, Mangoes from The Valley makes its international debut
Honest, raw and impactful, Mangoes from The Valley makes its international debut, July 21 – 31, 2021, at the Digital Toronto Fringe Festival. Inspired by
The Trinidad and Tobago Performing Arts Network 